You aren't supposed to understand entirely what Jessie does. The narrative is in Karthik's point of view. At the same time, there is literally only two scenes where you hear Jessie's mindspeak, the reason for that comes in the most simplest answers. So with the backdrop of a love story, there is bound to be some tension. In your dady-to-day life, we are forced to do so in many situations. Making a choice based on your mind is very hard when your heart says something quite different. Barring of course, the superbly sung Aaromale.Р”Вownfalls? Well, after watching the film close to 1000 times, one gets over the 'I-love-you-now, I-dont-love-you-now' rotating door emotions Jessie portrays because you finally understand. Even as you hear the same songs composed by A.R.Rahman, you feel the lyrics give a new dimension to the songs you have heard so many times. Dialogues by Umarji Anuradha added the subtle nativity required to show difference in the film. Visually captivating, subtle music yet erupting in emotion without a cartoon feel. From Manoj Paramahamsa to A.R.Rahman, the technical side of the film did not miss a beat. So Gautham's conviction even after the initial hesitation, is worthy of applause. Making a remake of your film is not unusual but there is never a guarantee it will work again. If only some, credit for this must go to director Gautham Menon. The two films were being made at the same time at one point but for someone that has watched both version, you do not feel these newcomers lose out on the edge that the experienced actor have.

But what is so wonderful about this pair version is their freshness. Same director, same music and same story. Since the film is predominately surrounding the lead pair, no one else gets a big role in the film besides the camera and music. Puri Jagannadh plays himself with director Gautham making a 2 sec no dialogue cameo. As parents, Surekha Vani, Sanjay Swaroop, Lakshmi Radhakrishnan and Devan play their part effortlessly, although one did get a feeling that Surekha Vani was a little young looking for the mother of a 22 year old. You could say he was a semi comedian in the flick. For a debut in a language that she is not familiar with (barring the obvious dubbing by the beautiful Chinmayi), Samantha did not let it be known and her lip-syncing is on point.Р’В As the friend who backs Karthik and helps him all the way to Aleppey, Krishnudu is cute and honest.

She is delight to watch as she simply glides through the role. Samantha on the other was completely opposite in that there is a stern strictness that comes with age. But that innocence you relate to it, and beyond his age, there is a very young vibe from his character anyway. Perhaps its the expression he displays but one gets a very childlike perception in his portrayal. Yes, Simbhu played it to perfection but unlike his filmography taking a turn with the film, Chaitu still had to form an opinion in everyone's mind. Individually, you cannot imagine anyone else for Karthik with Naga Chaitanya. And for anyone that has seen the intereviews, the actors on any Gautham Vasudev Menon set would tell you that is what the director prefers.

No nonsense of who has seen this and done that, just first take action. Bright eyed bushy tailed, the two are raw, real and very much in sync with their character with their chemistry burning the screen. The story is the same so while its silly to delve into it again, the reassurance you get is that even as new as Samantha (only one film old with Baana Kathadi and it hadn't released at the time of YMC) and Naga Chaitanya (the Josh debut was firmly in the back of our mind), the two deliver.

Ye maya chesave movie review